I'm not sure what I like doing the most when I visit Vancouver in the fall: walking along the beach or seeing the leaves turn colour. Perhaps it's living in Calgary that makes me enjoy these two, since we have neither, but I love to walk along the shoreline on the firm sand and see sights like the one above.
When the weather got sunnier on Saturday, we headed up to Lighthouse Park and Point Atkinson -- the forest primeval and well-known harbour landmark together -- where we wandered among tall trees, said hi to the one and only slug we saw (shortly before s/he was snuffed out by a BMW that was allowed on the footpath), and inhaled the salty, humid air.
Two (three, if you count the slug) other things that Calgary doesn't have.
That being said, I'm not about to pack up and move (back) to the coast: once was enough, and as much fun as it is to visit, there's something about a waxing prairie moon at Hallowe'en that I just wouldn't want to give up.
The flip side of that moon is fall sunrises here -- the right combination of clouds, low sun angle, and wind-stripped trees can be most amazing.
And when I haven't been out with my camera, I've been working away at my bench and reaping the rewards of recent works. horizon (below), currently at EPCOR Centre through November 23, is part of an online gallery show and was also juried into The Bonefolder, an international, peer-reviewed publication of bookbinding and book arts. Check out page 55.
In fact, it was such big a hit in Vancouver that the owner of the gallery that carries my work here (Arts on Atlantic) has asked me to edition it, which is how I'm spending my time at the bench (and some in front of the computer, setting it up to run multiple copies and tinkering a bit with the layout of the endpapers).
Photos of the edition of four will be up when they're complete.
Wednesday, 4 November 2009
The shop is currently empty.