Saturday, 26 December 2015


Lasqueti Press #4

Ever since I was in Nassau four years ago, I had kept my sights on coming back to work with Sonia Farmer at Poinciana Paper Press: it took longer than I thought, but it finally happened.

Lasqueti Press #5

Sonia's studio is tucked away in downtown Nassau, and it's really lovely, with great access, lots of light, tons of type to look at, and a little sign press to do smaller runs (plus a lovely C&P that needs work but which can crank out copies with an elegant mechanical ballet).

Lasqueti Press #8

Day 1 consisted of me showing up with a haiku about the conch (Lobatus gigas), and we looked at various faces, tossed around some ideas about possible images to go with it, and just generally talked about the wonderful world of letterpress. After setting the type, Sonia mixed up the most beautiful pink ink to print it with, and we did that on some Strathmore 130 lb. medium watercolour paper, as well as some coloured pieces of her handmade paper.

Lasqueti Press #10

Sonia also had a spare linocut block in the shop, and I borrowed her tools, spending the next day finding a suitable image, then transferring it to the block before carving it out. We were both pleased with how it looked when it was inked up with yet another custom blended ink (this time it was black, with both blue and white blended in to make a cool dark grey), and set about printing it onto the scraps of paper Sonia had in her drawers.

Lasqueti Press #11

Once they had dried, I experimented with both watercolour pencils and crayons to give life to the shell, and proceeded to finish off the edition of seven by signing and numbering them when they had dried from the colouring. What a fun time!

Lasqueti Press #12

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